Description

The Molchat Doma presentation was conceived as a visual extension of research on emotional brutalism. Designed and produced by me, it transforms theory into a raw, unmediated visual language shaped by dark wave culture, Eastern European architecture, and a disturbing cinematic imaginary. The presentation, together with the thesis discourse, cut through the graduation session and triggered a critical exchange within the committee, challenging conventional readings. A project that does not seek approval, but resistance.